Jay Z's motion for review of a Magistrate Judge's ruling directing him to produce documents concerning his concert revenues was denied. This action concerns Jay Z's alleged unauthorized sampling of "Khosara, Khosara" from the 1960 Egyptian film Fata Ahlami in his 2000 hit song "Big Pimpin'." A Magistrate Judge had ordered Jay-Z to produce the amount of revenue he earned from concerts where he performed "Big Pimpin' in order to allow the plaintiff to calculate his damages. Jay-Z moved for review of the magistrate's order under Federal Rule of Civil Procedure 72(a). The District Court denied the motion. The magistrate's order was not "clearly erroneous or contrary to law." The discovery of concert revenue "appears reasonably calculated to lead to the discovery of admissible evidence" concerning the existence and amount of damages. Fed. R. Civ. P. 26(b)(1). Nor was there evidence that the burden of production was undue.
Showing posts with label Revenue. Show all posts
Showing posts with label Revenue. Show all posts
January 20, 2015
Jay-Z Must Produce Concert Revenue In 'Big Pimpin' Infringement Suit
Fahmy v. Jay-Z, No. 2:07-cv-05715-CAS, 2015 BL 8688 (C.D. Cal. Jan. 12, 2015).
Jay Z's motion for review of a Magistrate Judge's ruling directing him to produce documents concerning his concert revenues was denied. This action concerns Jay Z's alleged unauthorized sampling of "Khosara, Khosara" from the 1960 Egyptian film Fata Ahlami in his 2000 hit song "Big Pimpin'." A Magistrate Judge had ordered Jay-Z to produce the amount of revenue he earned from concerts where he performed "Big Pimpin' in order to allow the plaintiff to calculate his damages. Jay-Z moved for review of the magistrate's order under Federal Rule of Civil Procedure 72(a). The District Court denied the motion. The magistrate's order was not "clearly erroneous or contrary to law." The discovery of concert revenue "appears reasonably calculated to lead to the discovery of admissible evidence" concerning the existence and amount of damages. Fed. R. Civ. P. 26(b)(1). Nor was there evidence that the burden of production was undue.
Jay Z's motion for review of a Magistrate Judge's ruling directing him to produce documents concerning his concert revenues was denied. This action concerns Jay Z's alleged unauthorized sampling of "Khosara, Khosara" from the 1960 Egyptian film Fata Ahlami in his 2000 hit song "Big Pimpin'." A Magistrate Judge had ordered Jay-Z to produce the amount of revenue he earned from concerts where he performed "Big Pimpin' in order to allow the plaintiff to calculate his damages. Jay-Z moved for review of the magistrate's order under Federal Rule of Civil Procedure 72(a). The District Court denied the motion. The magistrate's order was not "clearly erroneous or contrary to law." The discovery of concert revenue "appears reasonably calculated to lead to the discovery of admissible evidence" concerning the existence and amount of damages. Fed. R. Civ. P. 26(b)(1). Nor was there evidence that the burden of production was undue.
December 24, 2014
Copyright Royalty Board Royalty Rates For Performance Of Sound Recordings Affirmed
Music Choice v. Copyright Royalty Board, No. 13-1174/13-1183 (D.C. Cir. Dec. 19, 2014).
In 2013, the Judges of the Copyright Royalty Board (CRB) issued a determination setting royalty rates and defining terms for statutorily defined satellite digital audio radio services and preexisting subscription services. SoundExchange, which collects and distributes royalties, argued that the CRB arbitrarily set rates too low and that the CRB erred in defining "Gross Revenue" and eligible deductions. Music Choice, which provides music-only television channels, also appealed arguing that the Judges set the rates too high.
The Court of Appeals held that the CRB acted within its broad discretion to set rates for compulsory licenses of the digital performance of sound recordings, and therefore affirmed the determination of royalty rates. The appellate court found that the CRB did not exercise its broad discretion in an arbitrary or capricious manner when setting royalty rates for satellite digital audio radio services and preexisting subscription services.
For satellite digital audio radio services, the rate was set at 11%; in order to avoid disruption, the CRB adopted a staggered schedule beginning at 9% in 2013 and increasing by 0.5% annually until achievement of 11% in 2017.
For preexisting subscription services, the rate was set at 8.5% with an upward adjustment for Music Choice's planned channel expansion. The rate would start at 8% in 2013 and increase to 8.5% for 2014 through 2017.
In 2013, the Judges of the Copyright Royalty Board (CRB) issued a determination setting royalty rates and defining terms for statutorily defined satellite digital audio radio services and preexisting subscription services. SoundExchange, which collects and distributes royalties, argued that the CRB arbitrarily set rates too low and that the CRB erred in defining "Gross Revenue" and eligible deductions. Music Choice, which provides music-only television channels, also appealed arguing that the Judges set the rates too high.
The Court of Appeals held that the CRB acted within its broad discretion to set rates for compulsory licenses of the digital performance of sound recordings, and therefore affirmed the determination of royalty rates. The appellate court found that the CRB did not exercise its broad discretion in an arbitrary or capricious manner when setting royalty rates for satellite digital audio radio services and preexisting subscription services.
For satellite digital audio radio services, the rate was set at 11%; in order to avoid disruption, the CRB adopted a staggered schedule beginning at 9% in 2013 and increasing by 0.5% annually until achievement of 11% in 2017.
For preexisting subscription services, the rate was set at 8.5% with an upward adjustment for Music Choice's planned channel expansion. The rate would start at 8% in 2013 and increase to 8.5% for 2014 through 2017.
February 17, 2009
Using Music to Market
Banana Republic is using musicians to sell clothes. [AdAge article.]
"Banana Republic has recruited nine artists, from unknowns to Grammy award-winners to model clothes and contribute a host of multimedia content, including unreleased material, original songs and videos."
"Banana Republic has recruited nine artists, from unknowns to Grammy award-winners to model clothes and contribute a host of multimedia content, including unreleased material, original songs and videos."
May 29, 2008
New Source of Revenue: Archived Photos
Robert Levine, Sony Taps Into Photo Archive as a Resource During Hard Times, 5/29/08 New York Times (Music).
Summary -- The shelves at Sony’s New York headquarters hold decades of music history, which the company hopes to use to attract new revenue.
Summary -- The shelves at Sony’s New York headquarters hold decades of music history, which the company hopes to use to attract new revenue.
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